Random Fact: She loves biting, and is afraid of ants.Ĭatherine is the titular character of the game by the same name. Her ability to shapeshift, slash enemies to bits, and shoot akimbo pistols without missing makes her beautiful to watch in motion. With the confidence and posture of a Victoria's Secret supermodel, Bayonetta quickly became a gamer favorite when introduced in 2009. Random Fact: If you look closely on her watch you'll see the numbers '14111219', which corresponds to her birthdate of December 19th, 1411.Ĭheck Out: This Bayonetta Gallery Is a Must-See She's a laid-back kind of girl with a mitochondrial mutation that allows her to set people on fire and telepathically kill anyone she doesn't like. Parasite Eve was a fantastic RPG on the original PlayStation, and Aya Brea was part of what made it great. Random Fact: She once earned second place in a handgun shooting contest. As defined in the story, her favorite thing to do is travel, so if you plan to court her make sure it involves a plane ticket. Random Fact: Her name is derived from Hebrew, meaning "grace, gracious".ĭonning beautiful silk dresses and perfectly maintained bangs, Anna Williams is a crowd-favorite of Tekken fans. Although she can be violent and menacing when tested, she's often lighthearted and even flirtatious with cat-like mannerisms. With superhuman strength and a love for Muay Thai, Angel isn't the kind of girl you want to make angry. Random Fact:Angel was created based on the primary art designer's "personal preferences". Note that these are in alphabetical order. We appreciate a good looking gaming character, and in this feature you'll find 25 of the hottest female video game characters ever designed. Though, as graphics technology has improved these hotties have been brought to life in a way that has made us question what is real.Ĭheck Out: 10 Games With Graphics So Good They Almost Look Real For as long as there have been video games there have been hot female characters.
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Make Audio Available to Other Applications: This setting allows other applications to monitor Serato Studio’s audio output. NOTE: Depending on the Audio Output device selected, not all buffer size options may be available If you notice drop-outs, or distortion during playback of audio in your project, try increasing the latency. Latency affects both controls on your computer and any connected MIDI hardware. Higher values will increase latency, resulting in controls in Serato Studio feeling less responsive. Smaller values will reduce latency, meaning controls in Serato Studio have a tighter response, but will increase CPU load. However, doing so may result in unexpected issues.īuffer Size: Click on the drop-down menu to select your preferred audio buffer size. NOTE: Using a sample rate setting other than what is listed above will still work. Sample rate options are dependant on the specification of the audio output device selected under Audio Output. *We recommend using this sample rate setting. Serato Studio officially supports the following sample rates: Sample Rate: Select your preferred audio sample rate. NOTE: Input channels can also be selected in the Recording panel in the Song View. This option will be greyed out if there is only one channel available on your selected output.Īudio Input: Select your preferred audio input device for recording. Use the 2nd drop-down menu to select specific output channels on your interface. Navigate to the Audio tab to set up your Audio preferences.Īudio Output: Select your preferred audio output device and channels - you can use the drop-down if you wish to use an external sound card e.g. The Setup window can be opened via the cog wheel icon in the top right corner of Serato Studio. (v ) Distance between posts shall not exceed 8 feet. (iv ) Posts shall be equivalent in strength to 2 inch by 4 inch lumber orġ 1⁄ 4 inch × 1 1⁄ 4 inch × 1⁄ 8 structural angle iron or (iii ) Toeboards shall be equivalent in strength to 1 inch by 4 inch lumber orġ 1⁄ 4 inch × 1 1⁄ 4 inch structural angle iron or (ii ) Midrails shall be equivalent in strength to 1 inch by 6 inch lumber orġ 1⁄ 4 inch × 1 1⁄ 4 inch × 1⁄ 8 inch structural angle iron orġ.990 inch ×. 070 inch wall steel tubing or 1.990 inch ×. (i ) Toprails shall be equivalent in strength to 2 inch by 4 inch lumber orġ 1⁄ 4 inch × 1⁄ 8 inch structural angle iron orġ inch ×. Platform units used to make scaffold platforms intended for light-duty use shall be capable of supporting at least 25 pounds per square foot applied uniformly over the entire unit-span area, or a 250-pound point load placed on the unit at the center of the span, whichever load produces the greater shear force. (i ) Allowable spans shall be determined in compliance with the National Design Specification for Wood Construction published by the National Forest Products Association paragraph 5 of ANSI A10.8-1988 Scaffolding-Safety Requirements published by the American National Standards Institute or for 2 × 10 inch (nominal) or 2 × 9 inch (rough) solid sawn wood planks, as shown in the following table: The association or agency and the grading rules under which the wood is graded shall be certified by the Board of Review, American Lumber Standard Committee, as set forth in the American Softwood Lumber Standard of the U.S. Such planks shall be identified by the grade stamp of such association or agency. (b ) Solid sawn wood used as scaffold planks shall be selected for such use following the grading rules established by a recognized lumber grading association or by an independent lumber grading inspection agency. All dimensions are nominal sizes as provided in the American Softwood Lumber Standards, dated January 1970, except that, where rough sizes are noted, only rough or undressed lumber of the size specified will satisfy minimum requirements. (a ) The following tables, and the tables in part 2 - Specific guidelines and tables, assume that all load-carrying timber members (except planks) of the scaffold are a minimum of 1,500 lb-f/in 2 (stress grade) construction grade lumber. (2 ) Masons' multi-point adjustable suspension scaffolds. (1 ) Stonesetters' multi-point adjustable suspension scaffolds. (p ) Two-point adjustable suspension scaffolds. (o ) Single-point adjustable suspension scaffolds. (n ) Step, platform and trestle ladder scaffolds. (g ) Form scaffolds and carpenters' bracket scaffolds. (d ) Plasterers', decorators' and large area scaffolds. Scaffold components which are not selected and loaded in accordance with this Appendix, and components for which no specific guidelines or tables are given in this appendix (e.g., joints, ties, components for wood pole scaffolds more than 60 feet in height, components for heavy-duty horse scaffolds, components made with other materials, and components with other dimensions, etc.) must be designed and constructed in accordance with the capacity requirements of § 1926.451(a), and loaded in accordance with § 1926.451(d)(1). However, the guidelines do not provide all the information necessary to build a complete system, and the employer is still responsible for designing and assembling these components in such a way that the completed system will meet the requirements of § 1926.451(a). An employer may use these guidelines and tables as a starting point for designing scaffold systems. This appendix provides non-mandatory guidelines to assist employers in complying with the requirements of subpart L of this part. (Non-mandatory) Appendix A to Subpart L of Part 1926 - Scaffold Specifications To learn more about new ways to get to the building, visit the Commute Solutions website.įor more information on public transportation near the PDC, visit the Austin Capital Metro website. The trail provides a 0.7-mile one-way distance for walking, biking, and everything in between. Access the Red Line Trail from either the Highland Station end or from the Lamar Blvd. This trail, which is part of a City of Austin mobility initiative, is expected to expand in the coming years. The nearby Red Line Trail is accessible from near the new PDC. Many surrounding streets have dedicated bicycle lanes and sidewalks to support walkability.
This activity can be extended by making up poems, songs or chants focussing on rhyming words. Discuss these words and encourage children to add to the lists as they wish. Seuss creates uncomplicated, monosyllabic rhymes to foster learning and inspire children to read. Here, as in most of his extensive body of work, Dr. To consolidate and assess understanding, use the whiteboard to write down some of the words that rhymed in the book as well as the rhyming words that children generated throughout the reading. First published in 1963, Hop on Pop remains a perennial favorite when it comes to teaching kids to read.“Amy said that ‘see’ rhymes with ‘knee’, she’s right, they both have the ‘ee’ sound in them.” provide specific praise to build on children’s understanding of rhyme, for example.“hop and pop both have the ‘op’ sound at the end.” pause the reading to discuss how the words sound the same, for example.read the book using stress and intonation to emphasise the rhyme and patterns.encourage the children to join in reading the story.ask questions such as “what other words rhyme with….?” and “what are the words that rhyme here?” “Do these words rhyme (yes or no)?”.Clearly articulate the learning intention:.“pat, cat, pat, sat on…(cat)” and point to picture of cat if required to further prompt the child. for children who are not yet able to generate and/or identify rhyming words, educators could focus on supporting children to produce rhyming words in sentence completion tasks, for example.for children who are competent with identifying and producing more complex rhyming words, extension could focus on segmenting words into onset and rime, for example.Differentiationĭifferentiation should be based on prior assessment of the child/children’s communication skills. Individuals or small group (2-5 children). phrase and sentence patterns: day, play, we play all day.word and phrase repetition: mouse, house, mouse on house.rhyming words: night/fight & house/mouse.“What other words rhyme with fall?” - “mall, stall, call” and so on. generate rhyming words in response to questions for example.‘hat’ and ‘sat’ rhyme and ‘we’ and ‘small’ do not rhyme. identify rhyming and non-rhyming words, for example.Identify rhyming words, alliteration patterns, syllables and some sounds (phonemes) in spoken words.Victorian curriculum levels F-2: literature Actively use, engage with and share the enjoyment of language and texts in a range of ways.Listen and respond to sounds and patterns in speech, stories and rhymes in context.Begin to recognise patterns and relationships and the connections between themĬhildren engage with a range of texts and get meaning from these texts.Victorian Early Years Learning and Development Framework (VEYLDF, 2016)Ĭhildren begin to understand how symbols and pattern systems work.What information has been gathered as evidence to inform this experience?.teaching practice: reading with children.language and emergent literacy learners (30-60 months).This learning experience plan relates to: This experience should be differentiated depending on the individual child/group level. 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Actual racing, drift within the asphalt. “We now have a suite of customers,” said Mazaika, and while unable to disclose them by name, “they include major truck manufacturers, large system integrators and other component manufacturers.” He said COVID-19 has slowed the progress on some significant projects that will soon be made public. Today, CSI provides electrification solutions for commercial vehicles that can include advanced lithium-ion batteries as well as accessory systems such as cabin heating, battery cooling systems, electric air conditioning compressors, dc/dc converters, on-board chargers, electric steering pumps and electric air compressors for braking. The Livermore, Calif.-based company is named after Charles de Coulomb, a French physicist who made important discoveries in electricity and magnetism. In early 2019, CSI signed a long-term partnership with CATL, becoming a wholesale distributor and service center for its commercial vehicle battery systems in North America. My goal was to bring the over the high-volume, high-quality manufactured products that were available in China to really enable the whole electrification of commercial trucking in North America. These have given them unparalleled experience, having traveled over 25.7 billion miles. “They’ve already got 270,000 commercial trucks and buses on the road using CATL batteries. “The CATL product has been out there for about eight years, and they’ve got high-volume manufacturing lines in place,” said Mazaika. Since then, one of its focuses has been reducing the cost of its batteries. Based in Ningde in the country’s Fujian Province, CATL was founded in 2011 as a spinoff from a major supplier of batteries for consumer products. (CATL), one of the largest motive power battery designers and manufacturers in China. Mazaika reached out to Contemporary Amperex Technology Co. The biggest contributor to the higher costs was the batteries.” They’re being sold in relatively small numbers and it was slow to go mainstream. As a result, fleets will buy in small numbers, maybe five or 10 vehicles - a really big fleet might buy 50. “But the biggest challenge has always been that the cost of the commercial vehicles can’t meet the total cost of ownership goals the fleets have. “A lot of really good EV products have come out over the past five to ten years,” said Mazaika. (CSI) two years ago to work with original equipment manufacturers to help develop and manufacture reliable and affordable battery-electric commercial vehicles. To help fulfill that vision, he founded Coulomb Solutions Inc. There is a chance that the phone number (858) 458-0135 is shared by Samira Apping, Shane Leff, Thomas F Greenfield.David Mazaika saw an opportunity based on his 20 years of experience in the heavy-duty commercial vehicle space. Various documents link the phone number (858) 693-0973 to different owners - Rolando B Ogot, Ron C Nepomuceno, Isaac Jones, Angela A Rhodes, Thomas J Rhodes. David has listed (949) 825-9971 (Paetec Communications, Inc), (858) 693-0976 (Pacific BellPaetec Communications, Inc) as their phone numbers. We think that at least eighteen people, including Brenda B Klein, Kristy L Bartley, Edward Galindo, are acquainted with David based on the residence data. David has lived in eight different cities, including Poway, CA and Livermore, CA. Prior to this, David lived at 11226 Vandemen Way, San Diego, CA 92131. Anne P Frizzell is another individual linked to this address. David’s current address is 1250 Gusty Loops, Livermore, CA 94550. David Mazaika, Ben Brockman, David A Mazaika, David Kristina Mazaika, David M Mazaika, Mr Michael Mazaika, Mr David A Mazaika, Mr David M Mazaika, Mr David Michael Mazaika, Mr David Michael Mazika are substitutes that David can choose to use. The listed occupation for now is President. Public records show that the phone number (931) 244-6063 is linked to Daniel L Henson, Heather A Henson Beth Ann Petruzzi, Linda L Hosler, Edwin Holser were identified as possible owners of the phone number (570) 668-2484. David’s contact numbers are (570) 668-2484 (Verizon Pennsylvania, Inc), (570) 436-0574 (New Cingular Wireless PCS, LLCVerizon Pennsylvania, Inc). David has lived in McAdoo, PA and Tamaqua, PA in the past. Before, David lived at 689 Fairview St, Tamaqua, PA 18252. Beth Ann Petruzzi is another person who is linked to this address. Files show that one company is listed at this address: Mazaika Construction. The residency of David is at 268 East Main Strt, Tamaqua, PA 18252. 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Rooms include GP's Offices, Psychiatric rooms, Operating Theatres and Pharmacies, and are built by placing down a blueprint, assigning the location of doors and windows, and then placing down required and optional pieces of furniture. Each staff member has statistics that affect their performance, and doctors can be trained so their statistics will increase. Starting with an empty hospital, the player must build rooms and hire doctors, nurses, handymen and receptionists. Diseases include Bloaty Head (which swells the patient's head), King Complex (which forces the patient to impersonate Elvis Presley), and Alien DNA (which transforms the patient into an alien). The game has a somewhat dark sense of humour, similar to that of its predecessor, Theme Park. The player is required to build an environment that will attract patients with comical diseases and then treat them while tending to their needs. Revival attempts have been made with the development of open-source remakes such as CorsixTH. The game was re-released on GOG.com in 2012 and Origin in 2015, and the PlayStation version was released on the PlayStation Network in Europe in 2008, Japan in 2009, and North America in 2010. A Sega Saturn version was in development, but cancelled. Theme Hospital was a commercial success, selling over 4 million copies worldwide, and was ported to the PlayStation in 1998. The game received a generally positive reception, with reviewers praising the graphics and humour in particular. Multiplayer support with up to four players was added in a patch. Designers originally planned to include four distinct gameplay modes corresponding to historical time periods, but this was dropped due to time pressures on the team. Peter Molyneux and James Leach came up with the idea of creating a Theme game based on a hospital, but Molyneux was not directly involved in development due to his work on Dungeon Keeper. The game is noted for its humour, and contains numerous references to pop culture. The game is the thematic successor to Theme Park, also produced by Bullfrog, and the second instalment in their Theme series, and part of their Designer Series. It repeatedly appeared in the top five of budget charts and sold over 4 million copies.Theme Hospital is a business simulation game developed by Bullfrog Productions and published by Electronic Arts in 1997 for MS-DOS and Microsoft Windows compatible PCs in which players design and operate a privately owned hospital with the goal of curing patients of fictitious comical ailments. Theme Hospital was a commercial success, which surprised Bullfrog and Electronic Arts. Judging by the following from the Wikipedia page, I don’t think I’m the only one Waiting for a decent doctor to be available to hire is a game of pure chance.īut however rough some of the gameplay edges are, the pure joy and playfulness of the game wins out. I’ll admit that trying to squeeze in dozens of plants and radiators around the hospital can be frustrating. But whenever I fire up this game, I find myself getting drawn back into the colourful and engaging world. Perhaps some would argue the same for Theme Hospital. They’re both still fun to play about with for a while, but can quickly feel a little too shallow (especially Populous!) Such as Populous or even Syndicate.īoth of those games I’ve sunk many dozens of hours into in my younger years. I’ve enjoyed playing pretty much all of Bullfrog’s output over the years, but it’s arguable that some of those games just aren’t as much fun to play in the modern era. Theme Hospital - unlike many of Bullfrog’s game, it’s still a joy to play today. |
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